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  • (Downtempo, Experimental) Neu Balance - Rubber Sole - 2015, MP3, 320 kbps

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    Post 09-Jan-2015 12:02



    Neu Balance - Rubber Sole
    Жанр: Downtempo, Experimental
    Страна: Vancouver, British Columbia, Canada
    Год издания: 2015
    Аудиокодек: MP3
    Тип рипа: tracks
    Битрейт аудио: 320 kbps
    Продолжительность: 00:44:01
    Наличие сканов в содержимом раздачи: нет
    01. Second Helpings (00:45)
    02. Better Off Alone (04:02)
    03. Get Up (06:34)
    04. Restate (01:54)
    05. Restate (Dance Edit) (04:10)
    06. Sheffie (02:17)
    07. Bb (02:49)
    08. Future Goner (02:34)
    09. Trsx Moon (05:48)
    10. Tread (01:43)
    11. May B. So (04:24)
    12. Guu Yuu (06:55)

    О группе

    Sam Beatch (of Plays:four) and Sebastian Davidson

    Об альбоме

    Vancouver studio heads Neu Balance breathe deep on Pacific Northwestern air and exhale a debut of meticulously dazed hybrid house and ambient electronica, synthetic and playful with a twisted holisticism.
    Rubber Sole drifts in and out of a borealic yet lush minimalism and over to a jumped-up maximalism that is also present in their live shows. It also blurs from a sort of pre-apocalyptic and overtly filtered, processed and generally heavy synth layers and partially dismantled beats into a bright naturalism/pastoralia.
    Though their name is a light goof on notions of balance, duality and cushioning, Rubber Sole sincerely explores the threshold of balance through accessible house, supremely produced and assembled with excessively customized signifiers that are opposed with stylized washes of ultra crisp digital ambience.
    Tonal dualitys play out through both the more direct, dancefloor-ready tracks like Guu Yuu as much as headphone drifters like Trsx Moon, but generally soft and cushioned touch runs throughout the duration. Elsewhere on the more gradual Get Up, these opposing elements converge for one of the cassettes weirdest moments of fried 95bpm wobbles.
    Comprised of Sam Beatch (of Plays:four) and Sebastian Davidson, the interplay at work is explorative and often wonky, working through a handful of revised hauntological ideals like subtle field recordings, pitched down (and up) vocal snippets, disembodied gear bleeps and dream-drived keyboard melodies that never stick around for long that all leads towards a clean, intricate psychedelia.
    released 06 January 2015
    Mastered by Jonathan Scherk
    Art by Peter Orlowsky
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